Friday, 23 August 2013 B.I.F.B '13: Fringe

to see the Ballarat International Foto Biennale: Fringe

G’day Possums,

Ballarat International Foto Biennale 2013
Shane Wombat reporting...

I and later, we ( Mrs Wombat), had a 5 hour amble though some of the “Fringe” exhibitions t’other day.
Works, mostly of good quality and fair ‘eye’ though I’ll only give some general comments at the end of this list. I hope that readers find this informative re: the works and venues and that it stimulates you to visit  Ballarat for this big show.

Starting at the Bridge Mall, (East end): venue 48, Boah Organic and Shae Rooke’s Double Landscapes

Ballarat International Foto Biennale 2013
Shae Rooke

Ballarat International Foto Biennale 2013

To venue 49, Open Pantry and Heather Griffiths “Through my Lens -Then and Now”

Ballarat International Foto Biennale 2013

Ballarat International Foto Biennale 2013
Heather Griffiths

Venue 50,  Wilson Yeung “Flower Piece” at Cake Bakeshop

Ballarat International Foto Biennale 2013
Wilson Yeung

Ballarat International Foto Biennale 2013
2 poppets
Susan Nicol "Brolga" at Wen and Ware Living Venue 45
Ballarat International Foto Biennale 2013
Susan Nicol
Then back to

Venue 47,  “Milkshakes and Mixed Lollies” by Alison Spence at  Savoy Coffee.

Ballarat International Foto Biennale 2013
Alison Spence

Ballarat International Foto Biennale 2013

Venue 44, Hudsons Coffee Shop, Fiona Brookes, Syria

Ballarat International Foto Biennale 2013
Fiona Brookes

Don’t ignore the shipping containers in the Mall itself ….

Ballarat International Foto Biennale 2013
Bridge Mall

Ballarat International Foto Biennale 2013
bastards abound
Heading further West to the Mechanics Institute (South side of Sturt St) and Venue “E” to see
John Tozer, “Favourite Places”

Ballarat International Foto Biennale 2013
John Tozer

Don’t miss JT’s stuff in the wall niches in the entrance vestibule.

And ..Adelaide Photographic Artists, “Dark”… through the glass doors and to your right

Ballarat International Foto Biennale 2013
Adelaide Photo Arts...

Jeff Moorfoot, “Elephant Stamp”, up the stairs toward the Minerva Hall

Ballarat International Foto Biennale 2013
Jeff Moorfoot

Venue 19, Café Bibo and Damon Hunter’s “A Wall of Colour”

Ballarat International Foto Biennale 2013
Damon Hunter, Bibo

And a step or two to
Venue 20, Nibble and Natter for the Ballarat Secondary College East Campus’s “Captured”
(No Pic, they’re on the window …. and …great, old fashioned, genuine, ridgy-dij sandwiches)

Another two steps to the Bean Barn, Venue 21 for my stuff, “Meditations on RD” (Best coffee in B’rat IMHO)

Ballarat International Foto Biennale 2013
Lawrence Winder, Bean Barn

Still travelling West on the South side of Sturt St we continued on to L’ Espresso, Venue 24 and
Darren James, “Soliloquies”

Ballarat International Foto Biennale 2013
Add caption

Ballarat International Foto Biennale 2013

Eric Algra ( Richmond by Night), Gillian Turner ( Transfigured Places) and Patricia Gabb (Reflections) and Simon Peterswald (Lindifarne) are at Venue 25, Gallery on Sturt.

Ballarat International Foto Biennale 2013
Eric Algra

Ballarat International Foto Biennale 2013
Patricia Gabb

Ballarat International Foto Biennale 2013
Simon Peterswald

Crossing Sturt St to its North side you can find Emma Stoneman’s  “Architectonic” at Morton Dunn Architects

Ballarat International Foto Biennale 2013
Emma Stoneman

And not far away to the East is Clare Lapworth at Azeno with her “Vintage Expressions”. Venue32

Ballarat International Foto Biennale 2013
Clare Lapworth

At Sweet Decadence @ Locantro is Venue 37 and Lucia Andrusova’s “Ego and I”

Ballarat International Foto Biennale 2013
Lucia Ondrusova, Sweet Decadence@ locantro

And finishing off the perambulations for the day we arrived at Venue 43 The George Hotel.
Upstairs are Paul Stoney and Trudy Shuringa: “Stark Contrasts”, whilst down in the Laneway of the hotel (just off the lydiard St or through the gaming area is Kristin Diemer’s “Views from Paradise” (which is not as noted in the program an adult concept show) 

Ballarat International Foto Biennale 2013
Paul Stoney

Ballarat International Foto Biennale 2013
Trudy Shuringa

Ballarat International Foto Biennale 2013
Kristen Diemer

What to say about all this? Generally all were worth viewing but I suppose my main loss of words is with some of the language used as description that does not seem to dovetail with the works: What the owner of MONA delightfully calls  “Artwank”.
For example “…. the process of capturing that image was almost meditative.”  Which looks very odd with extremely strident, viciously over-processed imagery that was presented. What is said is not what the viewer sees.
And what is “… the tension between will and representation.” (?)…. and what is the value of an artwork pinned together when it is not an amalgam but just the one work chopped into bits and re-assembled the same way? I kept thinking, Butterflies are pinned as specimens…and why was the program illo different from the works presented?
There were some nice “takes” in the images on the environment exhibited in which could well become a future theme in itself.
Most print quality was OK, though I’m not a fan of the over-processed HDR-lets-scream-at-you-image, but that’s a personal bias and it is again, the venues that can really clutter the viewing experience by background, visual busy-ness or difficulty in just moving around that you really miss seeing  the work and in one case, I missed it altogether.
Most presentations were good although the “Flying Duck” arrangement seems to be making a comeback and one show was so spaced out as to be a not very readable narrative.
There were some good ideas not fully explored or exploited (including my own stuff) as well.
At the Town Hall  (next to my show plug, plug, shameless self promotion) was the “Head-Up” portrait show from Sydney; it’s really worth a look but at one stage when visiting I had this overwhelming feeling of viewing a plethora of clichés. Good, solid, professional clichés and I’m including all that I had seen prior to the “Head-Up”, clichés ...and very little in genuine “ridgy-dij”, enquiring imagination.

Best in show at this early stage….

Eric Algra’s “Richmond by Night”, beautiful, solid evocations of nocturnal, people-less places.

Jeff Moorfoot’s “Elephant Stamp”, seriously elegant and innovative.

And “Dark” The Adelaide Photographers, particularly Danica McLean’s Rothko-esque, “Flood-Light.

More soon…..  but I'll finish with some pics from the opening night..
Ballarat International Foto Biennale 2013
Winsome the Dog from Gallery on Sturt

Ballarat International Foto Biennale 2013
partisan comment

Ballarat International Foto Biennale 2013
Darren and Kristen

Ballarat International Foto Biennale 2013
recording the event.
Ballarat International Foto Biennale 2013
Opening Night, Mining Exchange BIFB '13

Wombat Droppings or politics in Oz

Chagrined at being gazumped in the cruelty-to-refugees competition by Kev 07 +6, “The Mad Monk”, Tony “Rabbott” and his loyal lieutenant Scott “Drone” Morrison have decided to make retrospective laws that will force refugees to re-apply for a temporary residents visa every three years. They have also accepted Eric “I’m-not-really-a-Fascist” Abetz’s idea of refugees living in the community having their addresses given to the police so they can “check up on them” when required. Furthering theirsurreal notions of nationalism the "Mad Monk" has just announced a You-Beaut-Boat-Buy-Back Scheme. I can see the Indonesian fishermen lining up now with inflated prices..they also intend to help the Indonesians get more patrol boats ....I would have thought that as they have 3 times as many as we do that they don't really need more 

Is this rabble who want to lead us Sane?

John Birmingham has reported that 400 students at “Rabbott’s old Alma Mater, St Ignatius College have sent him a missive querying his mis-application of Catholic ethics over this matter.

They can’t send one to Kev 07 +6: he’s a Protestant.

“Rabbott’s” reliance on quoting “Little Johnny” Howard is disturbing as it would seem to indicate that “The Mad Monk” not only lives in a fantasy past but also has no concrete idea about a future that he cares to extrapolate on….. somewhat similar to his reticence to discuss overall policy and costings and a National direction, apart from it having 5 legs that are better turned than theirs.

His “Me-too-ism” got another outing a few days ago when he announced in a café in upper-middle-class Malvern (where large fruit cakes only cost $70.00 each) that his Paid Parental Maternity Leave scheme will be bigger, better, more munificent and glorious than Kev 07 +6’s offering of a basic wage.

TAAAA…DAAAAAAAAAAAAAAAAAA….. and without letting a “suppository” slip…he exuberantly announces.. Full salary, including superannuation, for six months, capped at $150,000.00…price-tag: $5.5 Billions per annum…. although according to “The Mad Monk”, as the economy is in crisis as he couldn’t give them more.

One young mum opined that it would “let her continue her lifestyle”. Just like the one who claims the Child Care Allowance whilst her kid is in Ski-School!

Welfare for lifestyle … now there’s a new concept.

Sorry Petals, that’s the politics of class and envy sneaking in!

At least the insanity of this “policy” clouded the announcement of yet another conservative candidate biting the dust by yet another self-inflicted wound.

Liarbril, Kevin Baker’s website used to espouse; “Talk about anything you want - no censorship, no stress!" It contained sexist titty-humour and racist boyo rubbish. Just the sort of thing you need in a candidate for public office. That no-one in the Liarbril party seemed to notice during pre-selection might indicate: they didn’t know, didn’t care, were OK with it or thought he wouldn’t win anyway.

“The Mad Monk” in ruling out taking money-puffs from the tobacco industry (Kev07 +6’s mob did that 10 years ago), has not said if his thought-bubble team, “the Coots with Queer Ideas from a Parallel Universe”, The Institute of Public Affairs, would do the same. IPA Spokes-person Tim “How dare-you-criticize-me-you-bitch” Wilson said they will take donations from any legal entity…. Polish Land-mine manufacturers, Diabetes inducing fast food purveyors and genetically modified seed salesmen would all be welcome to their version of a Limited News democracy.

Here in the State of Tardis “Where-all-goes-Backward” mis-planning Minister Matty “What’s-a-Green-Wedge” Guy has driven another nail into the “We-are-the-most responsible-economic-managers” coffin by costing the taxpayer, what has been estimated by some to be $3,000,000.00, for his re-zoning frolic two years ago on Phillip Island. The day before proceedings hit the court, settlement was reached so that all could be kept secret from the people footing the bill.

Another own-goal by an acolyte of Jeff ”Bully-Boy” Kennett, The “Dorian Gray” of Tardis State politics.

Still no news on the police investigation into Geoff  “What’s–a-Car-Allowance” Shaw…ZZZ…ZZZZZZ.

Pretend Premier, Dennis “Inutilus Rusticus” Napthine has ruled out lack of funding and staff in the corrections and parole services as being the likely cause of the murders of six women by under-supervised early release parolees in recent years. He says he will speak very firmly to them and that we must all be good, tighten our belts and save hard to be able to pay for the $8 Billion concrete renovation of Royal Park so that he can have a vote winner in the Eastern suburbs… paraphrasing  “The Mad Monk”…. You Ambo’s, Nurses, Firies, Teachers, Legal Aid workers, Conservation Officers and Emergency Dept Doctors can all shut-up, too.

Cheers Possums,

The Australian Index

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