Vale, Maggie
I
had to visit her home late one afternoon to deliver some prints and after
sitting me down at the dining table was asked, ".... glass of
wine?" "Yes", I replied
and Maggie went into the kitchen to get glasses, which arriving full, she again disappeared to get something else.
I
thought the wine glass looked a little
odd.. and picking it up to examine it, found a conical container, ball stem
below, uneven base, bubbles within glass of a greenish tinge. Maggie returned
with some nibbles and seeing me looking at the glass intently said, "Like
it?"
"Yes
.....it's really lovely...."
"I got six of them just today... they're
C18th."
And
I nearly dropped it on the table in shock. " Geez...I'll have to be
careful..."
"No...",
Maggie replied, "....we're only using them for what they were intended
."
And
so we sat to look over the prints.
There
was the (perhaps) apocryphal story of a student in class expressing the wish to
have a rest being advised that, "....rest is for the dead".
There was also the time at the Ballet Centre where Gailene Stock, Maggie's successor at "The School" had called me in to photograph some auditioning students to illustrate for them a technical fault: Maggie was sitting there and I popped down into place next to her. Eventually she leaned over and whispered, "What do you think? " I was a bit ambivilant about the group and said so, "None of them are sweating, are they, " she said "they're not working."
Both
of our daughters had met Maggie for the first time at a "Dance
Creation" Garden party and because we had arrived quite early with food to
lay out, had spent some time conversing with her. Driving back home they couldn't
stop talking about her. "What an impressive woman..!" exclaimed the
elder, and "So easy to talk to" said the younger.....animatedly
recounting all what they had both discussed.
Shooting
rehearsal shots for the Dance Creation web site of the time, Maggie was sitting
near and during a break she enquired what we had planned for the next year, on
being told we were going to France to visit our eldest who was teaching there
and also to investigate Romanesque architecture, she got very excited and said
"You must go to Burgundy... there's a particular village and church which
is exquisite, you must go there, I'll call you when I remember it's name."
Two
weeks later the phone rang, it was Maggie, "I've found the name of the
Village .. ..and church, It's Ve'zelay,"
"Which
church, the Abbaye, St Madeleine on the hill or the smaller Saint Pe're in the
village below?" ( I had been doing a lot of Google street walks
as research)
"You
know it..." she squealed in delight, "....how wonderful" and
went on to explain that she and her then new husband Derek had 2CV'd through there with
artist Donald Friend who did drawings for them as his contribution and
that this place had really impressed.
And
it did.
I
asked if I could sculpt her portrait and started with the most restless model
I've ever had... got about four hours into it when I really needed 20 and
later, finished it from photos.
It has different aspects on different sides and
when I said that it was deliberately Baroque in its perspective and that the
gaze was toward the distance Maggie nodded and said quietly "Well, that
was the beginning of ballet wasn't it?"
She
got it.
Energetic,
imaginative, creative, teaching herself about art she said, by visiting
galleries and concerts whilst fending
for herself in wartime London and learning her profession at the same time: later knocking back Vodkas with the Russians in Germany.. being part of
Macmilllan's first choreographic effort ...and then "The School". A
place that was vibrant, innovative and nurturing particularly after it had established itself during the 70's.
Sadness
has crept up on me slowly as I recall these anecdotes about this formidable
woman.
I'll miss you and the privilege of knowing you....
Australia
is the less with your passing
Dame
Margaret Scott DBE 1922- 2019
Lawrence
Winder
(aka
shanewombat)