Showing posts with label Ballarat International Foto Biennale Fringe 2013. Show all posts
Showing posts with label Ballarat International Foto Biennale Fringe 2013. Show all posts

Monday, 2 September 2013

Ballarat Foto Biennale 2013

Ballarat International Foto Biennale 2013, 
Fringe, Episode 3


Shane with  BIFB '13 map
Shane with  BIFB '13 map


G’day possums,
We’ve done our third stint wandering around the streets of Ballarat to look at another fifteen exhibitions. 
Interestingly three of them were using photography more as a convenient method to display a concept than for the medium itself and there were three group shows, of which two, held very good work. Also interesting are the conversations you have during the wander: either about the venues, the works or the techniques and people seem generally inspired by the variety of approaches and idiosyncratic manner of display in this 2013 fringe exhibition.

James Niven’s “Observations in Abstract” at Venue 51, Infocus Photography
Stark, bold and elegantly painterly
James Niven BIFB'13
James Niven

Rob Clark, Infocus Photography BIFB'13
Rob Clark, Infocus Photography
Venue 22,  Radmac Office Choice was showing Mac Lawrence “SeeweeYoung” and Effie Vouyoukas “Environmental Portraits”.
I liked E.V.’s device of linking the different settings with the projector screen and its function of isolating the subjects from the background.

Radmac BIFB'13
Radmac BIFB'13
Effie Vouyoukas, bifb fringe13
Effie Vouyoukas, bifb fringe13
A bit further up the road The Mallow Hotel, Venue 61 is showing an extensive exhibition, extensively titled: “From Kryal Castle to Bluesfest-a Musical Journey “ by Peter Barlow.
If you like your Rock and Roll, this one’s for you…. Plenty of performance sweat, grimaces and the effusion of energy under strobes and gels: you could almost hear it. Good venue for it, too. I thought the stuff upstairs could have done with a bit of an edit but it did allow a narrative to develop.

Peter Barlow, bifb fringe13
Peter Barlow, bifb fringe13
Venue 61, Mallow Hotel, bifb fringe13
Venue 61, Mallow Hotel, bifb fringe13
Six minutes walk further south to Venue 62, Red Brick Gallery and Kirsty Macafee’s “Playing the Hand”, a years worth of a weekly diary where the photography is secondary to the idea but it’s a lot of fun to view and puzzle over.

kirsty Macafee bifb fringe13
Kirsty Macafee, detail, bifb fringe13

 
Steph from red brick gallery bifb fringe13
Steph from red brick gallery bifb fringe13
Wendy Bolger’s “Pleasure Framed” was next at Creative Framing, Venue 40: another conceptual exhibition where although the photography is not prime, it’s use as an agent of perception, is. 
I’m not at all sure I saw all the ideas from the “Art-Wank” expressed in the program but the potency’s of perspective and perception were well expressed and could have been formidable with more considered photographic techniques.
Wendy Bolger
Wendy bolger, creative framing, bifb fringe13
Wendy Bolger, creative framing, bifb fringe13
Backspace, Venue 6, shows a curated collection from “Gallery 1140”… very good stuff.
1140 gallery, bifb fringe13
1140 gallery, bifb fringe13
Ric Wallis
Ric Wallis
The Melbourne Silver Mine Group’s “Urban” was a lot more colourful than their Fringe 2011 but just as appealing:  look particularly for Leah Williams’ (Burke Crossing), Tim James’ (Untitled) and  Malcolm G’s (Exit), at Sebastiaans, Venue 4. 

Sebastiaans, bifb fringe13
Sebastiaans, bifb fringe13
Leah Williams, bifb fringe13
Leah Williams, bifb fringe13
And in the same spot, Ken Myers’ “Rusty Cars”… a HDR cornucopia of texture and colour.
 
Ken Myers, bifb fringe13
Ken Myers, bifb fringe13
“What are your Tribes ?” is at Iron Flamingo. Allister Crawford’s work at Venue 41 was a collection of people, places, packs, mobs, well… tribes. Again, the photography is not paramount, the idea is…. And this one got me in.
Venue 41,Iron Flamingo, bifb fringe13
Venue 41,Iron Flamingo, bifb fringe13
 
Allister Crawford, bifb fringe13
Allister Crawford, bifb fringe13


Mitchell Harris Wine Bar, Venue 36 is showing Craig Holloway’s “Abandoned Places”: images  expressing depths of loneliness and isolation of a particularly rural nature.

Craig Holloway, bifb fringe13
Craig Holloway, bifb fringe13
I finished the amble by back-tracking South to Craigs Royal Hotel and the Ansonia:  Venues17and 16 respectively, were “Non Mi Piace Versace”, Tamaryn Goodyear and then Julie Hough with “A Fair Trade”, Christine Sayer “Castlemaine Floods” and Senga Peckham and "A Room of my Own"

Tamaryn Goodyear, bifb fringe13
Tamaryn Goodyear, bifb fringe13

There is much good stuff to be seen in both venues, particularly Julie Hough’s and her obvious empathy and engagement with her subjects and their stories.
 
Chris Sayer BIFB '13
Chris Sayer BIFB '13
Julie Hough BIFB '13
Julie Hough BIFB '13

Senga Peckham's have a subtle intensity and some innovative mounting options


Senga Peckham  BIFB '13 fringe
Senga Peckham  BIFB '13 fringe, magnet mount
Senga Peckham 2 BIFB '13 fringe
Senga Peckham  BIFB '13 fringe
Cribbage Players, Mallow Hotel

  ....and in passing, 

Cribbage players at Mallow Hotel and 

 Pamela and Vaughan

   










   Pamela and Vaughan at Sebastiaans...

 

 


 

 

 

 

  and Rick Broadway in his new Gallery....

 

 

 

 

 

 

Wombat Droppings or politics in OZ


Next Saturday night, September 7 we will see the Apotheosis of the Aspirational Bogan.
Preyed upon for their credulity, dis-interest in political discourse, horror of anything ”thoughtful” and with a hip-pocket selfishness promoted by a conservative press, politicians and the IPA, Bogan Australia will not notice in their cheering of Labor being trounced in the election that what is going to govern them is as much a rabble as they are and with as little plan for a genuine future for all Australians as they have.
look at the date of publication...
They will not have noticed “Rabbott’s Rabble” dis-agreeing at every turn: with Joe ”Oh-What-a-Feeling” Hockey saying one thing and Rabbott” another; the bitching between Warren "Squeaky” Truss and the WA Liarbrils, the flips in policy “…oh, we don’t need to spend $1,500,000,00 on Drones any more…” Scott “The Drone” Morrison will have to play another video game. “… and we’ll keep the Collin’s Class Sub that I said I wouldn’t touch with a barge pole…” “ I’m going to Jakarta in the first week… errrr.. no I’m not ..I’d better wait for an invite”… 
The complete inability to answer or discuss any policy…” I don’t accept that…I don’t agree…no, no,no, I don’t believe that… I just don’t accept that …..”
The misogynist comments that get a laugh down the pub …but if “Rabbott” had’ve said to a 15 YO schoolgirl Netballer in Melton within her father’s earshot in a sneering aside “… contact sports are good…” or some-such, he may have copped a knuckle sandwich from the parent …but the parent didn’t hear it as it wasn’t reported as it should have been.
And let’s not talk about buying Indonesian fishing Boats… there are only 750,000 of them

their REAL track record

 Joe “Oh-What-a-Feeling” Hockey telling reporters to “…get over it” when asked why they will not release costing details on their policies… and  “… if people are that interested, get a calculator and crunch the numbers yourself! “
Honesty or Arrogance?
Bullshit arrogance … and he’s to be next Treasurer!
So beware how he’ll talk and act with a mandate.
And the Bogan’s seem not to care that for the three years in which to build a coherent policy the opposition  has only released a grab-bag of “me-too-ism”, middle-class-welfare, re-cycled thought bubbles from polling and the IPA, revisionist history and plain lies from “Phone-Hacker” Murdoch’s minions that are not costed validly and are fuelled by the most violent and hateful commentary ever seen in this country.


 The Bogan’s like being talked to like children …it comforts them… “Another big, bad tax”, “we’ll stop the boats”,  “we’re better than them”, On Syria: “… it’s baddies vs baddies”.
Now, that’s not going to interrupt the Bogan's thought processes too much when they’re all sitting down to fast-finger-food dinners in their separate rooms watching their separate pap.
The Bogans believe “Rabbott” when he says “… our government will be more adult than the one we’ve got”.. but don’t understand how asinine he was when he and Pyne “the Whyne” tried to run out of Parliament like absconding school boys rather than vote on a motion… or favour quite Fascist ideas like police reporting of asylum seeker lodgings and check-ups and denying them legal assistance…because they’re “illegals”.
No, they’re not illegals... they are refugees!
Or the "Green Corps" which sounds suspiciously like The “Service du Travail Obligatoire”. 
Another of Abetz’s ideas? His family did have form in Vichy France.

Oh well let's wait and see on the 7th for a new chapter of national shame.    
Cheers Petals,
Shane


The Australian Index

Wednesday, 28 August 2013

Ballarat International Foto Biennale Fringe 2


Ballarat International Foto Biennale Fringe 2013  No:2

G’day Possums,

BIFB '13
Shane reporting

last Sunday Darron Davies and I met up to wander the BIFB’s Fringe circuit  for the day. 
Darron’s stuff “Immingle” is at Venue 59, Blue Artz Gallery about half way along the Howitt St block from Burnbank St.

BIFB '13
Darron Davies

 From here we drove to Venue 57 for Alison Spence and Denise Regan  “Square Route” at Eclectic Tastes in Burnbank St

 
BIFB '13
“Square Route” at Eclectic Tastes
Alison Spence is also exhibiting at Venue 47 (see last post) 


BIFB '13
Anthony Baxter
Anthony Baxter’s “Old Boys” is at Venue 56 The Lakeview Hotel, a short walk from Bob Munro’s “A Traveller’s Eye” at Racers Bar and Café at Venue 54.

BIFB '13
Bob Munro
 A walk around the Lake took us to Sails on the Lake and Ross Thompson’s “The Pooling of our Coastline” at Venue 55.
BIFB '13
Ross Thompson
 We then crossed the city to see Cheney/Hart/Dennett et al at Venue 67 The Ballarat Observatory.


BIFB '13
Ballarat Observatory


BIFB '13


 
BIFB '13
Ballarat Observatory
Peter Ward’s “Tonal Reality” was seen next at Her Majesty’s Theatre (upstairs) at Venue 15 

BIFB '13
Peter Ward’s “Tonal Reality”

 
BIFB '13
Her Majesty's

Then over the road to The Known World Bookshop, Venue 11 and  Lucie Akers “Heidelberg – a Tribute to the Heidelberg School”.

BIFB '13
The Known World Bookshop
 
BIFB '13
“Heidelberg – a Tribute to the Heidelberg School”.
Venue 7, Phoenix Brewery was the site for Bec Walton’s “Jewel of Lights”.
 
BIFB '13
Bec Walton’s

The Forge Pizzeria, Venue 39 is showing John Smallman and Aldona Kmiec. 

BIFB '13
The Forge Pizzeria


There was some very good work in amongst these shows and even though some were too small for the ideas presented, the opposite was also true.
BIFB '13
Footpath by Shane W
 Interesting landscape work where you can see that line between the literal and the sublime. 

BIFB '13
Art Nouveau, Her Majesty's Theatre
Some required more rigour and less use of twee irritating photoshop “edges” and when your brochure is more interesting than the show …..hmmmmm.
Ways of seeing?
I commented in the last post of not liking HDR very much but Peter Ward’s are really worth a look as I think he uses it really subject-appropriately.  The stuff at Venue 57 was a fun presentation and Venue 56’s “Old Boys” was a heartfelt documentation that needed a quieter more reflective space.

BIFB '13
BFAG
I particularly like “Immingle” and the poetic terrarium abstracts at venue 59 and must add Sandra Elms from the “Adelaide Photographic Artists” which I missed the last post.

Four of my works are being re-printed and re-mounted as they are delaminating and are full of bubbles as they separate from the background…. should be ready Monday or Tuesday…as “Effie” would say, “How embarrassment!”

More in a few days, another mid-week wander to catch those Biennale Fringe shows not open on Sunday. 



Wombat Droppings or Politics in Oz


Rooty Hill is a perfectly named place for a debate between the main contenders in this election campaign.
All the commentators have been saying it was an even debate…Hmmmm, I think not.
“Rabbott” under-performed and under-delivered except for his three line slogans and looking curiously gray-green in pallor made me wonder if he really is Voldemort but it was his haltingly poor answers to specific questions, the pathological reliance on pushing the “message” and allied with a frightening inability to answer in detail showed the inherent and devious weakness in his arguments. For all his waffle about "Pillars and Plans" there was no vision and no engagement with the audience and even though Kev 07 +6, I think had more probing questions, his ability to answer with detail, seemed to receive more positive audience response.
An over-strident, bullying Michael Kroger in later interview was a fine example of  “they-protest-too-much” to be believed … they don’t like close and detailed scrutiny and lash out when cornered.
This makes me wonder if the wheels are beginning to fall off the Liarbril rabble’s cart. They are being almost Stalinist-Revisionist in their versions of recent history and insanely funny in blaming Labor for negative and bullying tactics. Ex-Independent Tony Windsor noted in interview their strategic policy to destroy Gillard and said that he couldn’t support “Rabbott’ as leader in the minority government because of ”Rabbott’s” lack of a stable personality.
The conservatives have also made much of just how angry Windsor’s constituents were with his support for the Labor minority government. Windsor said with a smile, “I had 14 actual complaints in three years”.
Sophie “Pit-Bull” Mirabella is preferencing first, a candidate who believes that the last tragic bushfires were god’s punishment for women having abortions!  Mirabella has managed to take a safe Liarbril seat to one that an independent might wrest from her clammy grip.
10 days to go before the Age of The Aspirational Bogan putridly flowers.

Cheers,
Shane


The Australian Index